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»  Studio 1

 

PROCHAINS COURS

January 7 - July 1, 2008

3 sessions per week

 public price:  320 Euros / month   student price: 290 Euros / month 

  

 

 

 

Body movement     voice     concentration     understanding of dramatic conflict    verbal & physical action     dialogue- handling     monologues    soliloquies & set-speeches    scene study    setting acting tasks     character    atmosphere    given circumstances and living imaginatively within them   partnering    basic object exercises   objectives & obstacles    the vocabulary of actions   active analysis    vulnerability    hidden truths   inner & instant justifications

 

The disciplines: 

 

BASIC MEISNER TECHNIQUE 

Sandford Meisner’s  Word Repetition Game develops and muscles the actor’s listening abilities, opening him to the evidence of working off partners and trusting his instinctive impulses.  In full emotional alertness, he tells the truth, moment to moment, on the impulse... Director: Tiffany Stern

 

 

ACTING TECHNIQUE

The scene itself: seizing its point. The two ‘co-ordinates’: “What do I feel here?” & “What am I doing?” Given & personal  circumstances. Boldly determining acting tasks from Main Action. Creating the characters relational web. Obstacles and the hidden truth’s power.... Director: Manu Doublet

 

 

JOUER VRAI 

Michael Chekhov’s Technique, Inner & Immediate Justifications, Sensory Awareness, Fathoming the Author’s Given Circumstances & Character Relationships. Dialogue-handling, First Elements & Rhythms of Character,The Animal Within, Space Awareness, Truthfulness of Behavior... Director: Alexandre Louschik

 

 

THEATRE GAMES - IMPROVISATION
HIT HEADS, HEARTS AND SOULS. Help the actor to become independent and self confident in castings, auditions, during rehearsals and in front of the public. How to continue to “roll” through obstacles up to the chosen target, up to the goal and SCORING POINTS… Director: Clara McBride

 

 

FROM IMPROVISATIOON TO TEXT

BUTTING HEADS, HEARTS & SOULS. To equip the actor to be self-sufficient at castings, auditions, rehearsals & performance. How to “keep on trucking” through obstacles  to your goal & targeted victory. SCORING POINTS. How to channel and use energy. lucidity, focus & spontaneity... Director: Claude Viala

 

 

IMAGINATION AND REALITY
Our training will be based on the basic and essential development of pictures in order to find out their emotional forms and to enclose them in the body. We will define the physical actions related to fiction and metaphor, by devoting ourselves totally and freely in the natural way. The actor’s imagination must be palpable and concrete for him and for the other (public and partner) in order to totally engage his abilities to be. The art of acting is to bring to life but above all to bring to life again. Director: Pascal Castelletta

 

 

SPACE - BODY - MOVEMENT

FIRST APPROACH  to “the body poetic.” Developing the actor’s gestural and physical repertoire. To manage & develop energy in space. Breath and Rhythm. The inciting moves & “pre-beats”. Developing the feeling of ease in space..

 Director: Emile Salimov

 

 

SCENE STUDUY & BODY WORK

FIRST APPROACH  to “the body poetic.” Developing the actor’s gestural and physical repertoire. To manage & develop energy in space. Breath and Rhythm. The inciting moves & “pre-beats”. Developing the feeling of ease in space.. Director: Christophe Lemaître

 

 

SHOWCASE

Director: Giampaolo Gotti / Hervé Laudière