This
hands-on 2 weeks workshop is open to actors
able to handle monologues & scene work in
English & justifying of serious previous
training on stage or on camera.
Students who can not
show up for an audition can send us a CV and a
video of their work if available to
info@acting-international.com or to Acting
International, 55 rue des Alouettes, 75019
Paris, France
» The Program
The students will
approach the following techniques and exercises:
In the Breath
Actor Training
Classes of Carol Fox Prescott
From inspiration to expression, learning to work "On the
Breath" generates a joyful, reliable, physically based acting
technique that creates spontaneous, imaginative and exciting
actors who draw their strength from the text through the
breath.
Whatever your training has been up until now, this workshop is
designed to pick up from where you leave off. You will be
introduced to techniques that deepen your emotional range,
enhance your trust, enliven your creativity and teach how to
work within the playwright's world in a way that weaves the
language, the music and the style of the text into a an
expression of character based in the instrument that is you.
TV & Film
Classes of Jodie Lynn McClintock
Objectives:
Free your unconscious through technique
Allow the camera to do the acting
Choose, think-through, prepare and commit fully
to the character’s wants & needs
Practice attention to the specifics of the scene
Adapt to accidents and unforeseen events
Understand what the scene means and act that
The “IRIS”
Character Exercises
Classes of JoAnna Beckson
The "IRIS" character exercise is based on the idiosyncratic
behavior of a person well known to the actor. It is not an
impersonation, but an improvisation clearly based on the
person known, i.e. a friend, husband, wife, parent, spouse,
etc. The exercise is not gender specific, being an observation
exercise to be applied to a character as needed for an
appropriate characterization.
Meisner
Technique
Classes of Robin Morse, Terry Knickerbocker
THE IMAGINATIVE & DARING USE OF SELF. Doing physically
difficult, urgent, important “independent tasks.” Defining
emotional & imaginary circumstances & the hidden truths of the
action. PREPARATION : Getting “Ready to Roll” through
self-stimulation into the “fullness of beginning”. Working on
the impediment.
Voice, Diction &
Speech
Classes of John Charles Murphy, Bill Galarno
Objectives:
Cultivate an improved understanding of many of
the processes, effects and problems of speech communication.
Develop an understanding of Standard American
pronunciation and be able to recognize and modify any
variations you may use.
Develop and demonstrate the skills necessary to
speak American English with adequate variety and clarity.
Approach oral communication with increased
self-confidence and reduced presentation anxiety.
Technique and
Scene Study
Classes of Ann Raychel
The work:
Application and practice of improvisation
approach.
(auditions, rehearsals, performance)
Its relationship to all phases: reading,
rehearsing and performance.
Continued cold readings.
Discuss and apply components of creating a role.
Continue components – stress specifics.
Object exercises – for actor’s theatrical truth.
» The Place
Acting International space is located in the
heart of the Manhattan's theatre districs at 311
West 43rd Street. It's nested within Manhattan
Theatre Club and has a reception, a lobby, and a
spacious 160 m2 loft with a panoramic view over
Manhattan.